Sietze Bosman delves into the underbelly of the Eurovision contest, where sinister forces in entertainment conspire to mold Europe’s cultural landscape with their grotesque visions of art and identity.
Deep within the bowels of the modern machine of entertainment, the preparations for the Eurovision contest are underway. Hordes of savvy advertising snakes, malevolent marketers, and pernicious producers are brooding on their next entries for this infernal contest. They skulk about in their hatcheries of hallucinatory horrors. Like maggots clumped together in a rotting cadaver, bursting forth when their numbers become too great, so do the malevolent miscreants of musical malfeasance spew forth from the rotten corpse of the “industry.” Like prepackaged, prescribed, and pretentious amorphous blobs of ordinality, they roll off the asinine assembly line of “popular culture.”
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